{"title":"ZINE リトルプレス","description":null,"products":[{"product_id":"季節の記録","title":"Ayaki Obata \"Seasonal Records\"","description":"\u003cp\u003eAyaki Obata is an illustrator and graphic designer who has contributed to various domestic and international publications, including the British magazine \"MONOCLE.\" This collection features a wealth of illustrations carefully selected from zines and other works she has previously published, themed around the seasons from her personal projects, with new works also included. Her compositions are like unforgettable scenes from a movie, and her characters' actions are imbued with a sense of narrative. The illustrations, which perfectly capture moments in time, evoke the changing seasons that have come and gone, and the emotions that must have been present within them, through reality or at times through fiction. It is a book that, like an Ozu film, conveys deep emotion through minimalist expression. It is published by commune Press, a publishing label that introduces domestic and international artists, including illustrators and photographers, from its unique perspective.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eAyaki Obata\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003ecommune Press\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e156P \/ A5 \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49061716689208,"sku":"","price":2200.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/kisetsuno.jpg?v=1746002109"},{"product_id":"新本-new-book-homesick","title":"Minowa Makiko \"HOMESICK\"","description":"\u003cp\u003eAn illustration zine self-published by an illustrator in 2020. The zine features photographs of places the artist once traveled, depicting buildings and landscapes not just as they appear, but as memories imbued with people and colors not captured in the original photos. It contains about 10 quiet landscapes. The horizontal composition is cinematic, and the work conveys the richness of holding memories, wrapped in nostalgia and solitude, from a world devoid of color. Includes a bonus beautiful glossy color sticker featuring still life artwork.\u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eMakiko Minowa\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e183mm x 125mm \/ 20 pages \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49231205794104,"sku":"","price":1320.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/homesick-1.jpg?v=1726057775"},{"product_id":"新本-new-book-ノーツ-第一号-庭","title":"Notes Vol. 1: \"Garden\"","description":"\u003cp\u003eNotes is a publication featuring editors specializing in architecture and urbanism, with each issue focusing on a different theme primarily through interviews. Its unique structure is striking, simultaneously presenting records of conversations with people of various skills, knowledge, and experience, alongside accompanying annotations, illustrations, and photographs.\u003c\/p\u003e\n\u003cp\u003eThe first issue, themed \"Gardens\"—a point of contact between nature and culture, and a place of rest—was reprinted after being unavailable for several years. Approximately 1,000 corrections were made, and the size was made more compact.\u003c\/p\u003e\n\u003cp\u003eSpearheaded by an interview with Tomoki Yamauchi, an aesthetician and gardener known for his translation of Gilles Clément's \"The Moving Garden\" and, more recently, a new translation of \"Derek Jarman's Garden,\" the issue presents a different perspective on how to create new gardens, a fresh look at corners of the city, imagination for the future natural environment, and the daily life and work alongside gardens, through conversations with people from various fields such as urban ecologists, chefs, and musicians. Responses to photographer Yurika Takano's photos on the theme of \"gardens\" and citations from texts by Carl Theodor Sørensen, a leading landscape architect of the 20th century, are provided with the editors' annotated notes, attempting a dialogue that transcends not only direct interaction but also place and time, around the platform of \"gardens\" that embraces discussions from practitioners in different fields.\u003c\/p\u003e\n\u003cp\u003eIn an era full of difficulties in human-non-human interactions, such as the Great Earthquake, the COVID-19 pandemic, and natural disasters, this issue considers the \"garden\" as a place to re-examine these points of contact.\u003cbr\u003eThe book's design, which adopts a vertically long format, and its notebook-like structure with dialogue on the left page and annotations on the right, give a sense of both ingenuity and necessity to its editorial choices.\u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditors\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eTakeshi Inoue + Naoki Saito + Takahiro Omura\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eNotes Edition\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eDetails\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e\n\n132 pages \/ 135mm × 297mm \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49357100974392,"sku":"","price":2200.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/notes-1_30bd3624-ed8d-4073-a7cc-5be8a64816f0.jpg?v=1729321859"},{"product_id":"new-book_hong-kong-junkie","title":"HONG KONG JUNKIE Our Hong Kong","description":"\u003cp\u003eAuthored by Kumiko Ohara, writer of the seminal work \"Weekend in Hong Kong: Finding Good Things,\" which introduced Hong Kong culture from the perspective of miscellaneous goods, and Shio O’Kaji, an editor who brought to the world works like Yasuharu Konishi's \"Boku wa Sanpo to Zatsugaku ga Suki Datta,\" the ZINE \"HONG KONG JUNKIE: We Mūn Ngáan Jūng Dīk Hēung Góng\" features their respective perspectives on their shared love for Hong Kong.\u003c\/p\u003e\n\u003cp\u003eThis unique ZINE is structured so that reading from the right side reveals Ohara's \"Hong Kong: An Endless Journey,\" while opening from the back presents O’Kaji's \"Diary of a Hong Kong Addict.\" Their joint interview is published around the middle, where the two sections meet. Beyond food, these two individuals, who have loved Hong Kong for many years and witnessed its evolution, can eloquently describe and discuss what changes and what remains the same, the small insights of seasoned travelers, and the profound charm of the city and its culture revealed by repeatedly visiting the same places. This book, filled with love for Hong Kong, will prompt every reader to ponder \"my Hong Kong\" and recall the joys of travel. Comes with a first-come, first-served sticker bonus.\u003c\/p\u003e\n\u003cp\u003ePublished by editorial and graphic designer Miho Chiba's label, \"dee’s magazine BOOKS.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthors\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eKumiko Ohara, Shio O’Kaji\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003edee's magazine BOOKS\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eDetails\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e56 pages \/ 103mm × 183mm \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49361210409272,"sku":"","price":1500.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/hongkong_junkie.jpg?v=1740051153"},{"product_id":"新本-new-book-日常記憶地図-深川-清澄白河編-1960-2019","title":"Everyday Memory Map: Fukagawa and Kiyosumi-Shirakawa 1960-2019","description":"\u003cp\u003eWhat did the landscape look like to someone in the past, from this very spot where I now stand?\u003c\/p\u003e\n\u003cp\u003eThis booklet is by Ayako Sato, who devised and practices the \"Everyday Memory Map\" method. This method involves tracing an individual's \"frequently visited places\/routes\" on a map during a specific period of their life and then asking about their reasons and habits, thereby unearthing small memories and episodes related to those places.\u003c\/p\u003e\n\u003cp\u003eIn this book, ten episodes are presented, drawing from the memories of eight residents of Tokyo's Fukagawa and Kiyosumi-Shirakawa areas, spanning from the 1960s to 2019. These episodes are supplemented with maps illustrating the routes taken at the time, photographs of the places featured in the episodes, and a report by Sato, who walked through the area today, retracing those memories.\u003c\/p\u003e\n\u003cp\u003eThese deeply personal episodes, which Sato refers to as \"weak memories,\" are tied to places in the same area such as rivers, parks, shopping streets, main streets, libraries, and art museums. They allow readers to envision the landscapes and memories of places within individuals that would likely not surface from guidebooks or official records.\u003c\/p\u003e\n\u003cp\u003eHow does the place where one was born and raised live within oneself, and how can one confront the landscape currently before them through the eyes of others? This book offers a starting point for slowly focusing on the relationship between people and places within the flow of time, and for rediscovering familiar landscapes anew.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eAyako Sato\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eAtsushi Takeuchi\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eDetails\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e40P \/ A4 Booklet\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49371057783096,"sku":"","price":1100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/nitijyou-1.jpg?v=1729662330"},{"product_id":"新本-new-book-日常記憶地図ノート","title":"Everyday Memory Map Notebook","description":"\u003cp\u003eThis zine is by Ayako Sato, who devised and practices the \"Everyday Memory Map\" method. This method involves tracing a person's frequently visited places\/paths during a certain period on a map and asking about the reasons and habits associated with them, thereby extracting small memories and episodes related to those locations.\u003c\/p\u003e\n\u003cp\u003eThis book is a fill-in-the-blanks notebook that can be used alone or as a basis for interviewing someone. Prepare a map of a place you once lived, write down the paths you walked and the places you frequently visited, and then search your memory for the reasons and habits behind them. By revisiting the landscapes of your memory, you can recall things you had forgotten but were never truly lost. Please use it for yourself or with someone close to you.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eAyako Sato\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eMiyo Mizuta\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e12 pages \/ A4 zine\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49371196784952,"sku":"","price":880.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/kiokutizu_note-06.jpg?v=1733287400"},{"product_id":"notes_moving","title":"Notes No. 2: \"Moving\"","description":"\u003cp\u003e\u003ci\u003e\"The endless renewal of the layout of objects within a room, and the daily trial and error of the route from home to the station, gradually make unfamiliar rooms and places familiar. Isn't the series of procedures that accomplish this what we call moving?\" (From \"Introduction\")\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eBy adding illustrations, annotations, and photographs alongside interview records (taking notes), \"Notes\" goes beyond architecture and urban theory to rethink the relationship between people, space, and place in a broad sense, learning through concrete examples. Following the revised first issue, the eagerly awaited second issue focuses on \"moving.\"\u003c\/p\u003e\n\u003cp\u003eThrough interviews with novelist Yu Miri Takiguchi, as well as cultural anthropologists, architects, photographers, art collectives, and visual ethnographers, the issue re-examines \"moving\" as a complex interplay between the private problems of individual lives and the context of the land and the passage of time.\u003c\/p\u003e\n\u003cp\u003eFollowing the first issue, which featured \"gardens,\" this issue connects familiar phenomena that everyone experiences and knows with various experimental expressions and approaches from people with different specializations. The way humanistic interest expands, looking at history and the past simultaneously through annotations, stimulates intellectual curiosity and provides hints for daily creative work and thought.\u003c\/p\u003e\n\u003cp\u003eIncluding an ambitious book design, such as spiral binding, which is not possible with commercial publications, this series promises to be enjoyable to hold and exciting to follow in its future developments.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEdited by\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eInoue Takeshi + Saito Naoki + Ishige Kenta\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublished by\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eNotes Edition\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e204P \/ 155mm × 210mm \/ Spiral Bound\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49371651801400,"sku":"","price":2970.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/notes-1_3c1ec0db-c641-4a72-bb24-de65095a1aa1.jpg?v=1773982109"},{"product_id":"新本-new-book-佐々木敦による阿部和重-仮","title":"Abe Kazushige (tentative title) by Atsushi Sasaki","description":"\u003cp\u003e\u003cem\u003eTo bet on the conviction, itself childish and shortsighted, and probably even wrong, that the rash, thoughtless actions of a callow youth, precisely because he is a callow youth, can sometimes genuinely save someone and even change the world. Kazushi Abe's novels are overflowing with such \"miracles.\" (From \"Ten Books by Kazushi Abe\" in this volume)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKazushi Abe, a novelist who celebrated his 30th anniversary in 2024. This book is a collection of thirty important essays and interviews about Kazushi Abe by Atsushi Sasaki, a contemporary critic\/thinker who has consistently discussed this extraordinary writer since his emergence. From debut work \"America's Night\" to Akutagawa Prize-winning \"Grand Finale,\" the Kannamachi Saga trilogy \"Semia,\" \"Pistols,\" and \"Organ(ism)\" which took 20 years to complete, and his latest short story collection \"Ultimate Edition\"—what do the literary reviews reveal about the author's trajectory, and what has he thought and expressed within the flow of \"infant empire\" Japan and Japanese literature?\u003cbr\u003ePublished by HEADZ, a label where the author himself serves as representative. The elegant design of gold lettering on a black background is by Yasuo Totsuka.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eAtsushi Sasaki\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eHEADZ\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e256P \/ B6 \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49371660681528,"sku":"","price":1650.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/abe_sasaki-1.jpg?v=1729683543"},{"product_id":"新本-new-book-オフショア-第四号","title":"Offshore No. 4","description":"\u003cp\u003eOffshore is a literary magazine launched by Kanako Yamamoto, who has been introducing Asian culture from her unique perspective through web media. She created it to deepen understanding of Asia not just by acquiring information, but by thoroughly reading texts that offer a deeper insight into the continent.\u003c\/p\u003e\n\u003cp\u003eThe fourth issue features a variety of articles: Raku Nakahara, an acoustic engineer who works on music productions and sound design for Chelfitsch's plays, is interviewed about his visits to Asia for performances and changes in the backstage environment; Mayu Murata, a specialist in classical Chinese literature, discusses the relationship between the poetry and divination of Wen Tianxiang, a politician and poet from the late Southern Song Dynasty; Barnu, a feminist based in Osaka, traces her memories of Sri Lanka; and Yoko Takebe, who has lived in Jakarta for 30 years, writes about living as an Indonesian. Other contents include an interview with WOOTACC, a rapper from Yanbian, Jilin Province, China; a serial essay by Kei Wada on Taiwan's underground media; and an essay by photographer Kaori Nakanasone. This fourth issue, packed with engaging content, is described as a personal magazine compiled \"naturally, without pretense or formality.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eKanako Yamamoto\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eOffshore\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e198P \/ 105mm ×148mm \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49371689091384,"sku":"","price":1980.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/offshore-5.jpg?v=1729685612"},{"product_id":"新本-new-book-季節の記録2","title":"Obata Saki \"Record of the Seasons 2\"","description":"\u003cp\u003eThe parking area on a departure morning when the sky begins to lighten, the determination for a new life brought by the view from the window, a heart cultivated by tilling the soil, the Obon holiday spent welcoming and seeing off loved ones, the sound of autumn rain and being alone, spending time doing nothing in particular with friends by the riverside, an empty morning bus warmed by the low sun, breakfast bought at an unfamiliar convenience store in an unfamiliar place, a family gathering around the kotatsu at the dinner table.\u003c\/p\u003e\n\u003cp\u003eIllustrator Saki Obata, who is active in various media including covers for magazines and books both in Japan and abroad, continues to create seasonal illustrations as personal work, separate from her client work. The world created from her minimalist and smart lines depicts the mundane moments of daily life alongside the changing seasons like a scene from a movie, recalling to the viewer the time and scenery, emotions and memories that have come and gone through reality and fiction. This second collection of works, which includes new pieces in addition to carefully selected works from her zines that previously sold out immediately, features primarily monochrome works, but also includes color works introduced like accent colors. Please enjoy this fresh yet nostalgic, personal yet universal world of her art.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eSaki Obata\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher　　\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003ecommune Press\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e142P \/ 122mm × 180mm \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49372265349432,"sku":"","price":2420.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/kisetsu_no02-01.jpg?v=1729701385"},{"product_id":"00000000001","title":"nand 11","description":"\u003cp\u003e\"nanD\" (meaning \"storage\" or \"vault\") is a publication that has, by editing together texts and interviews gathered from the interests and connections of its three editors\/designers—from \"Nantonaku, Critic,\" \"nu,\" and \"DU\"—captured the indie culture scene that only they could illuminate, each time it emerged.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe latest issue, No. 11, features essays and short pieces from 26 contributors. Following the passing of one of the editors, Eiji Kobayashi, in March 2024, it has become a commemorative issue where 35 friends and people connected to Kobayashi have continued his \"Instagram Diary\" series, which he regularly contributed to the magazine (a short daily entry paired with a photo). In the \"Instagram Diary\" section, writers, illustrators, and editors such as Yusei Takiguchi, Sho Miyake, Erika Kobayashi, Amane Yamamoto, Takashi Akutsu, Shintaro Unuma, Ryo Danjo, Miyata Fumihisa, and Chika Goto, have written about their daily lives as an homage to Kobayashi, who loved books and films, with some texts also reflecting on him. The essay section includes a six-page piece by Teruki Mishina (FALL), a close friend, who reminisces about K-san through his travels and books.\u003cbr\u003eWakagami from Yohakusha \/ NAGORO BOOKS also contributed a 700-character short essay, writing about this newly opened shop, its location, time, and his interest in memory, alongside an introduction to Ayako Sato, who held an exhibition at our shop in November 2024. Although I only exchanged emails with Mr. Kobayashi for work and followed him on social media, never actually meeting him, after sending my manuscript to editor Morita-san, I heard from Ms. Sato herself that she had once spoken to Mr. Kobayashi at an exhibition venue. This made me feel a strange sense of serendipity and connection with this issue.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e〈List of Contributors〉\u003cbr\u003eEunice Luk／KIKUCHI Kentaro／MORIYAMA Hiroyuki／AIDA Toji／Mono Homie／MISHINA Teruki／KINDAI Nariko／Lena Fujimoto／SASAKI Atsushi／Harpo Bucho／KODAMA Takehiro／SAKOGAWA Naoko／YAMAMOTO Kanako／TAKEDA Kazuya／ORITA Yusyun／NISHIMURA Mitsuru／SUGITA Moeru／TAKEDA Jun／SHICHIRI Kei／Kidensen／TSUTSU Kewjiro／WAKAGAMI Masaki／KONDO Keisuke／Sophie Pszichol／TANAKA Genki／SHOICHI／little fish／AKUTSU Takashi／AMAYA Fumiyo／IKARI Yukie／IWAFUCHI Megumi／UNUMA Shintaro／ODA Yuta／KATOGI Rei／KITABATAKE Chieri／Grasper Yukiko／KURODA Reiko／KAYAMA Satoshi／KOSHIKAWA Michio／KOJIMA Hiromitsu／GOTO Chika／KOBAYASHI Erika／SAKURAI Yuichiro／SARUTA Eiko／SHIBAHARA Satoko／SHIMADA Junichiro／TAKAHASHI Masahiro／TAKIGUCHI Yusei／TANIGUCHI Ai／TARUMOTO Shigehiro／DANJO Ryo／CHIBA Miho／TENGYOKURA／TOTSUKA Yasuo／BACCO／MATSUMURA Takahiro／MIYAKE Sho／MIYATA Fumihisa／MORIKAWA Kosuke／MORITA Maki／YAMAMOTO Amane／YONEYAMA Natsuko\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditors\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eMaki Morita (Nantonaku, Critic), Yasuo Totsuka (nu), (Eiji Kobayashi (DU))\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eDesign, Publisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003enu\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e168 pages \/ Bunko size \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49536067010872,"sku":"00000000001","price":1430.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/nand.jpg?v=1734453812"},{"product_id":"16日間の日記-29日間の日記","title":"16-day journal, 29-day journal","description":"\u003cp\u003eA relay diary from 2020 by four people living in Kyoto and working in \"book-related\" fields. The participants were Ryu Seino from \"ba hütte.\" in Shirakawa Kitayama, Sakyo Ward, Yu Omodaka from the publishing company \"Tookosha,\" Takahiko Torii from the bookstore \"Kaifusha Taiken Book Center,\" and Yoha-sha's Wakigami, who was working at \"Keibunsha Ichijoji Branch\" at the time in 2020. This collection compiles their \"today\"s, written under a rotating system with a limit of 300 characters per day, spanning 16 days in the spring and 29 days in the summer of 2020. It captures their daily lives as they worked diligently, read books, walked the city, ate meals, spent time with family, thought about things, and welcomed tomorrow. As the impact of the COVID-19 pandemic gradually spread, they shared their \"normal\" and \"everyday\" routines and musings with fellow residents of the same city. This book records those days and includes short essays expressing the emotions that arose during that time. The cover design, featuring letterpress printing, is by the graphic design studio \"Ritendo.\" Despite being a small booklet, it shows a commitment to bookbinding, such as using two different types of paper.\u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eRyu Seino, Yu Omodaka, Takahiko Torii, Masateru Wakigami\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eTabun Tabun Club\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e105mm × 148mm \/ 40P \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49647749497144,"sku":"00000000005","price":700.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-1-40.jpg?v=1737820667"},{"product_id":"new-book_yukihiro_shinohara_lombokislandnews","title":"Yukihiro Shinohara, \"Lombok Island Dispatch\"","description":"\u003cp\u003e\u003cem\u003e\"How can I describe the color of the sea? It was like jade, stretching as far as the eye could see. Surfers floated in the distance, tiny as beans. The sun was strong, but there was a breeze, so it was cool under the parasol. I put a sweatshirt over my T-shirt and could have watched the sea forever.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA little press novel by an author based in Nagano.\u003cbr\u003eIt traces the author's days spent on Lombok Island, Indonesia, with the aim of doing nothing, and the many small memories, scenes, episodes, and streams of consciousness recalled and associated with what was seen and what happened there. The slow pace of the island, which repeatedly returns through the recollections, manifests itself in the writing style. This travel novel, like an endless chat, reveals that recalling even mundane things (such as pancakes at Royal Host) is the richness of passing time, being in the present, and reading a book.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor, Publisher, Production\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eYukihiro Shinohara\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eCover Illustration\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eSachie Ikegami\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e105mm × 148mm \/ 160P \/ Softcover \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49760902349112,"sku":"","price":1000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/lombok_island_news.jpg?v=1740045593"},{"product_id":"new-book-shimekiri-practice","title":"Doujin Anthology: Deadline Practice Best Collection 1","description":"","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49763094561080,"sku":"","price":990.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/practice_shimekiri.jpg?v=1740047973"},{"product_id":"new-book_fuukeiwo_tuzuru","title":"Sketches of Scenery: A Collection of Works from the Sketch Essay Workshop","description":"\u003cp\u003eThis is a collection of works born from the \"Sketching Landscapes with Descriptive Prose\" workshop, led since 2023 in Okayama City by novelist Yusuke Norishiro, who has accumulated about 300 written landscape sketches over seven years (\"sitting quietly for 20 or 30 minutes, gazing at the landscape in front of him and writing\"). It includes landscape sketches written during the three workshops, organized by theme and location, as well as landscapes from Tochigi, Niigata, Kyoto, Edinburgh, and other places that participants wrote outside of the workshop.\u003cbr\u003eWriting about the same landscape as someone else, finding and writing about a favorite landscape, and actually walking through a landscape described by another. Turning one's gaze to the surroundings of this moment and place, capturing what can be seen and heard, and the changes brought about by the passage of time felt on the skin, dispassionately, through the medium of oneself. Enhancing the resolution of one's perception of the world, writing about it in one's own words, and sharing it with others, one establishes, discovers, and deepens one's unique relationship with the landscape through this physical body. This offers a world of enjoyment in reading\/writing, different from diaries that record inner thoughts and daily life.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eYusuke Norishiro, Okayama Tabifude-kai\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eOkayama Tabifude-kai\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eB6 \/ 168P\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":49997933314360,"sku":"","price":1100.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/fuukei_tuduru-1.jpg?v=1744194275"},{"product_id":"saki_obata_one_year","title":"Ayaki Obata \"One Year\"","description":"\u003cp\u003eAyaki Obata is an illustrator whose diverse work appears in various media, including domestic and international magazines and book covers. In addition to her client work, she continuously creates seasonal illustrations as a personal life's work, which have been compiled into \"Seasonal Records\" and \"Seasonal Records 2\". This new zine, \"One Year,\" features all 28 new and previously unreleased illustrations for the 2024 and 2025 calendars, which she produces annually with commune Press. Her works capture the changing seasons and ordinary yet unforgettable scenes from daily life. They evoke a sense of familiarity in everyone, recalling times, landscapes, emotions, and memories experienced and passed through reality and fiction. This full-color collection is presented in a cinematic, landscape-oriented format that conveys a sense of season and background. Limited to 300 copies.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eArtist\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eAyaki Obata\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003ecommune Press\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eA5 \/ 36 pages \/ Limited to 300 copies\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":50127394799928,"sku":"","price":1650.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/oneyear-34.jpg?v=1745931152"},{"product_id":"nitijyoukiokutizu_nagano","title":"Map of Everyday Memories: Nagano Edition 1950s-2020s","description":"\u003cp\u003eRemembering places, depicting landscapes, walking through the past, layering memories, accessing the history of a place.\u003c\/p\u003e\n\u003cp\u003eThis is the Nagano edition of \"Everyday Memory Map,\" developed by Ayako Sato as a method to evoke \"place memories.\"\u003cbr\u003eAs part of an exhibition at the Nagano Prefectural Art Museum, it includes memories from nine people who knew Nagano City from the 1950s to the 2000s, \"Your Place Memories\" collected from exhibition visitors, records of \"people who walked through Nagano\" such as Masuo Ikeda and Kozo Yokoi, unearthed from people's memories and local historical materials, and texts by photographer Yu Shinoda and curator Masashi Matsui reflecting on the production process, Sato's own thoughts through the project, and memories of the Nagano Prefectural Shinano Museum of Art, the predecessor to the current museum, which was demolished in 2017.\u003cbr\u003eIt reveals that because Nagano is a relatively small city compared to other regions, with places like Zenko-ji Temple, Joyama Park, the Gondo shopping street, numerous cinemas, bookstores, and art supply stores, there are places commonly remembered across eras and generations, making it easy to encounter countless people from the past who walked the same paths at different times. This \"Everyday Memory Map\" by Sato, who approached the memories of the city\/places with meticulous research and high resolution after consulting extensive materials, vividly portrays 70 years of Nagano City's memories. You can also choose to receive a large format card of the \"Nagano Bird's-Eye View Map\" drawn by local portrait artist yana.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eWriting, Design, Publication\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eAyako Sato\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eCover Design\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eEiichi Yamaguchi (G-man Paintings)\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditing\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eAtsushi Takeuchi\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eA4 \/ 84 pages\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Booklet only","offer_id":50176573931832,"sku":"","price":1760.0,"currency_code":"JPY","in_stock":true},{"title":"Booklet + \"Nagano Panoramic Map\" large format card","offer_id":50176573964600,"sku":"","price":2310.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/nitijyou_nagano.jpg?v=1746519506"},{"product_id":"nitijyoukiokutizu_kazokuno_fuukei","title":"Everyday Memory Map: \"Sharing\" the Landscape of \"Family\"","description":"\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eWriting, Design, Publishing\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eAyako Sato\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditing\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eAtsushi Takeuchi\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePhotography\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eYu Shinoda\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; 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text-align: center; height: 20px;\"\u003eOthers\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eFold-out Poster \/ B2 size (B4 when folded)\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":50240899612984,"sku":"","price":1000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/so-called-23.jpg?v=1747557329"},{"product_id":"tarou-kawano-sarusuberitokurasu","title":"Kawano Taro, \"Living with Crape Myrtles\"","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eText, Illustrations, Photos, Book Design\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eTaro Kawano\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublished by\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eEste Lado\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eB6 \/ 110 pages \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":50711686512952,"sku":null,"price":1500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/sarusuberi-3.jpg?v=1752304877"},{"product_id":"ikisininomatsu_kyokaide","title":"Riho Onodera, \"At Matsukyo Church on the Way There and Back\"","description":"\u003cp\u003e\u003cem\u003eIt's the ocean because it eats and is eaten.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHey, Melody, braid your broken body.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEven as a stratum, I'm watching that bad move.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIs this new pain, this part, also me?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShall I put a comma and go for tea?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA collection of haiku by Riho Onodera, a member of the theater company \"Dr. Holiday Laboratory,\" which primarily produces theatrical performances, but also focuses on language-based creations such as senryu, novels, and diaries. This collection features 183 verses that lightly and humorously sing of unseen worlds and sensations born from the flow of words, and the blessings and collapses hidden in daily life. The striking cover art is by Moe Kobayashi of \"vent de moe,\" who creates contemporary fans and visual designs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 80px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eRiho Onodera\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eDr. Holiday Laboratory\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003ePaperback \/ 128 pages \/ Softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":50984874770744,"sku":null,"price":1700.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-3-3.jpg?v=1755098732"},{"product_id":"fukugyou_zine","title":"Side Business ZINE","description":"\u003cp\u003eInstead of a side job supplementing one's main occupation, \"multiple occupations\" refers to engaging in various jobs concurrently. Some do it because they can't live on what they love alone, others to expand their capabilities, and some to find a sustainable way of working. The 15 stories of multiple occupations reveal the current state of work and society.\u003c\/p\u003e\n\u003cp\u003eTable of Contents:\u003cbr\u003eIt's working out for now - Osamu Konuma\u003c\/p\u003e\n\u003cp\u003eTell us about your multiple occupations\u003cbr\u003eFreelance photographer x Lifework photography and activities x Part-time job - Hikita Chisato\u003cbr\u003eMonk x Part-time lecturer x Marketing outsourcing - Yoshiki Ukai\u003cbr\u003eCare worker x Illustration production and remote work x Flea market app selling - Yuka\u003cbr\u003eEditor, writer x Antique dealer x Night emergency reception - Shun Asami\u003cbr\u003eOn-site childcare x Bento sales x Art\/design activities - Rie Mori\u003cbr\u003eAuthor's assistant x Freelance writer, editor - Yuki Okada\u003cbr\u003eBrand\/store management x Library counter x Cleaning x Tennis court maintenance - Tsubasa Takahashi\u003cbr\u003eWriter x Babysitter x Pet sitter x Part-time at a rabbit specialty store - Anna Nagata\u003cbr\u003eWriter x Community manager x Radio personality x Event MC x Photographer x Housemaster x One-day cafe staff, etc. - Aoi Hirano\u003cbr\u003eAir conditioning maintenance company x Artist x Book collector - Anonymous\u003cbr\u003eCompany employee x Korean interpreter\/translator\/coordinator - Mikhopper\u003cbr\u003eConsulting business x Home care business - Kantaro Yoshida\u003cbr\u003eBookstore x Town council member x Fields x Writing - Tetsuya Mori\u003c\/p\u003e\n\u003cp\u003eMultiple occupations without aiming for the top - Pursuing amateurism - Kanako Yamamoto\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 80px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003egasi editorial\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eTababooks\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eB6 \/ 62 pages \/ Softcover\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":50997082620216,"sku":null,"price":1100.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-3-4.jpg?v=1755238305"},{"product_id":"netjidainoima_honha","title":"In the internet age, books are bought \"to be seen\": A Visual Book by Curio Books Bellissima","description":"\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 138.781px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\/Selection\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eOsamu Kumagai\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 58.7812px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 58.7812px;\"\u003eAuthor, Selection \u0026amp; Art Direction\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 58.7812px; text-align: center;\"\u003eTsugumi Kokaji\u003cbr\u003e\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eDesign\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eMiho Chiba\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003edee's magazine BOOKS\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003e103mm × 182mm \/ 56 pages\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51070185734456,"sku":null,"price":2000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book.jpg?v=1756880358"},{"product_id":"scrap-counterpoint","title":"Ryūhei Yokoyama \"SCRAP COUNTERPOINT\"","description":"\u003cp\u003e\u003cem\u003eA journey exploring the question, \"What is photography?\" and the origins of my own limitations.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRyuhei Yokoyama, a photographer who develops works primarily through monochrome film street snapshots under the theme \"What is a city?\", is releasing a collection of \"recorded words\"—an unedited, raw statement collection born from the process of creation and publication—as a publication by our store.\u003c\/p\u003e\n\u003cp\u003eThis zine is a collection of statements, compiled as a small scrapbook, featuring words that are part of the artist's output and a major element of creation, yet lack a definitive form. These words, jotted down on scraps of paper and in cell phones, represent the origins and initial impulses of creation, as well as associations and conversations that would normally be trimmed down or sometimes reshaped during the process of creating and presenting a work. Beyond these process-related thoughts, specific references to artists and works that served as inspiration for the photographer—such as Godard, Keith Richards, Kerouac, 'Stand by Me,' 'AKIRA,' Reich, and Jonny Greenwood—not only facilitate an understanding of artist Ryuhei Yokoyama and his artistic world but also, like Yokoyama himself who has been influenced by expressions across genres including books, films, music, and art, transcend the medium of photography. These references offer hints for new creation and artistic endeavors to many people dedicated to art and creation, encouraging an inward journey to explore their own origins.\u003cbr\u003e\u003cbr\u003eThe cover was designed by Ryuhei Yokoyama himself. The artwork, a brown rat accidentally photographed during a street photography session, is striking. This is the first publication by Yohasha \/ NAGORO BOOKS.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; text-align: center; height: 29.8906px;\"\u003eRyuhei Yokoyama\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 47.8906px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; text-align: center; height: 47.8906px;\"\u003eYohasha \/ NAGORO BOOKS\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; text-align: center; height: 56.9922px;\"\u003e128mm x 195mm \/ 56 pages \/ softcover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51167033393464,"sku":null,"price":1320.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/scrapcounterpoint-2.jpg?v=1758870055"},{"product_id":"moratorium","title":"Moratorium","description":"\u003cp\u003eA zine featuring people who didn't finish their university life in four years, such as those who took a leave of absence, repeated a year, or studied for graduate school entry exams, sharing their \"slightly longer university lives.\" They candidly discuss their experiences, including setbacks, uncertainties, changes in career paths, studying abroad, and exploration, using various forms of expression such as essays, diaries, dialogues, and illustrations.\u003cbr\u003e\u003c\/p\u003e\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOthers\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003eA5 booklet \/ 116 pages\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51270859129144,"sku":null,"price":800.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-2-8.jpg?v=1761208915"},{"product_id":"aruhi","title":"Yamamoto Nobuko, \"One Day: Reading and Fragments\"","description":"\u003cp\u003e\u003cem\u003eIn the window of May, there were fleeting clouds, vibrant greenery, and pure singing voices, and it felt as if there was nothing more I wished for myself.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis is a collection of fragmented diary entries by book designer Nobuko Yamamoto, who also publishes through her own label \"Hiroiyomi-sha,\" born from her endless interest in books and words, reading and writing.\u003cbr\u003eThe entries, titled \"A Certain Day,\" begin in March and end in March, featuring quotes from books she was reading at the time, such as Kafka, Benjamin, Blanchot, Tabucchi, Sebald, Atsuko Suga, Michizo Tachihara, Natsuko Kuroda, and Hiromasa Ichimura, alongside fragments of her day, inextricably linked to those readings. It evokes the unexpected expansion and richness that reading brings to everyday life, and reminds one of the poetic descriptions of emotions and memories in American poet May Sarton's diaries, which unfold in connection with nature and her surroundings. A truly poetic volume.\u003cbr\u003eThe design is also wonderful, fully conveying the charm of a physical book, with four types of paper suggesting the changing seasons for the body text, and a soft, sculptural cover art. For those moments between reading and writing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eNobuko Yamamoto\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 47.8906px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 47.8906px; text-align: center;\"\u003eHiroiyomi-sha\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003e122mm × 188mm \/ Softcover \/ 160 pages\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51343944614200,"sku":null,"price":2200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/aruhi-3.jpg?v=1763653095"},{"product_id":"the_solopublishers_guideto_distribution","title":"Uminekosawa Meron and Eto Kentaro, \"A Guide to Conquering Self-Publishing Distribution\"","description":"\u003cp\u003eNow that anyone can create books and zines, how can we \"deliver\" them to new readers through distribution and promotion?\u003c\/p\u003e\n\u003cp\u003eThis book, released by Tacoche, a store in Nakano, Tokyo, that has been handling independently produced books for over 30 years, is a guide for creators to choose the \"delivery\" method that suits them. It includes an over 70-page dialogue on \"solo publishing\" between novelists Umineko Sawameron and Kentaro Eto, who not only write novels but also publish them through their own labels and venture into distribution. It also features surveys of those involved in solo publishing and labels that deliver books with ISBNs (International Standard Book Numbers), such as Ishihara Shobo, H.A.B., Shikaku, and Tenmetsusha, as well as reference books and columns. With easy-to-understand glossary terms for beginners, it shares a progressive awareness of issues in publishing and distribution. This zine is for an era where we explore how to create and deliver together.\u003cbr\u003eEdited by Yukie Ikari, cover illustration by Hong Kong artist Chihoi, and design by Daiki Iimura.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eUmineko Sawameron, Kentaro Eto\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 47.8906px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 47.8906px; text-align: center;\"\u003eTacoche\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003e128mm × 182mm \/ 106 pages\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51405527646520,"sku":null,"price":1300.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-29.jpg?v=1764139210"},{"product_id":"fiction_and_diary","title":"Hiroki Yamamoto, \"Fiction and Diaries: What Do We Write, Read, and Pass Down?\"","description":"\u003cp\u003eDiaries have always been a form of literary expression, always by the side of the creator, but in recent years, with their boom in popularity, they have become established as an independent genre and, at the same time, are becoming a target of consumption.\u003cbr\u003eThis book is a collection of essays on \"diaries\" written by Hiroki Yamamoto of \"Inu no Senaka-za,\" who continues to work with a consistent interest in expression and life, transcending genres such as novels, poetry, art, and design, and contributed to literary magazines. By treating diaries as \"the minimal model of expression,\" this book explores \"fiction\" and \"reality\" through diaries, just as one would consider novels, criticism, essays, films, music, performances, and art. It reconsiders diaries as a possibility for life to be relived through writing and what is written, going beyond personality consumption. For anyone involved in expression, not just those who read and write.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor, Editor, Cover Art\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eHiroki Yamamoto (Inu no Senaka-za)\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 47.8906px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 47.8906px; text-align: center;\"\u003eInu no Senaka-za\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003e148mm × 210mm \/ Softcover \/ 88 pages\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51419416658232,"sku":null,"price":1100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-30.jpg?v=1764320394"},{"product_id":"sumanakutemo_miyako","title":"[With bonus] Shogo Shimada, \"Miyako Even If Not Living There\"","description":"\u003cp\u003e\u003cstrong\u003e*Includes an exclusive bonus paper, \"Detouring from Sumanakutemo Miyako: Omiyajiuchi \/ Yohasha Edition,\" written by author Shogo Shimada, featuring memories from a place very close to our store.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e—Following the \"path\" where I was born and raised, the city, my memories, and a premonition of the future unfolded.\u003c\/p\u003e\n\u003cp\u003eThis collection of essays chronicles the author's upbringing, Kyoto's culture, the city's appearance, and the farewell to his family, all starting from \"Horikawa-dori,\" a street that runs north to south through Kyoto City.\u003c\/p\u003e\n\u003cp\u003eEditor Shogo Shimada wrote this by walking the entirety of \"Horikawa-dori,\" his root, from north to south, recalling memories from the scenes he witnessed. It is an essay collection where \"Horikawa-dori must be the only starting point for discussion.\" The texture of the city, seen from the perspective of a resident of Kyoto, not found in tourist guides, is expressed in his own words.\u003c\/p\u003e\n\u003cp\u003e\u003cwriter words\u003e\u003cbr\u003eI was born and raised in Kyoto, worked in Osaka once, moved to another city, and then returned to this city. The city where I lived casually as a child somehow feels strangely endearing when I return to it again. Through my experience in urban development and building a career as an editor, I began to want to do what I could in this city. In the process, I realized that \"Horikawa-dori,\" where I was born and raised and now run a publishing house and bookstore, is a bit special to me. You could say it's \"Represent Horikawa-dori.\" This is just my case, but I'm sure everyone has their own beloved areas and places. This book is created for \"the people of this city and everyone else outside this city,\" with the thought that it might evoke each person's feeling of \"I love this city.\"\u003cbr\u003e(From the publisher's website)\u003c\/writer\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eShogo Shimada\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 47.8906px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 47.8906px; text-align: center;\"\u003e\n\n\u003cp\u003eHoka Shobo\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003e\n\n\u003cp\u003eA6 modified \/ softcover \/ 160 pages\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51799538762040,"sku":null,"price":1760.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-2-10.jpg?v=1771058168"},{"product_id":"michiyo_nishimori-fukusento_kaisyu","title":"Nishimori Michiyo, \"Days of Foreshadowing and Resolution\"","description":"\u003cp\u003eThis is a collection of retrospective essays by a writer who has long introduced Asian pop culture, from her first encounters with Hong Kong cinema and repeated visits to the city, to moving from her hometown Matsuyama to Tokyo and becoming involved in Asian entertainment, including editing Chinese pop culture magazines. It's a self-published zine by the author herself, offering a glimpse into the atmosphere of the early 2000s onwards.\u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51804305031480,"sku":null,"price":1320.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/hongkong-5_63e9d5ed-7ade-45fc-a422-0f1b0f0e2634.jpg?v=1771472146"},{"product_id":"trustandbooks_twodialogues","title":"ABE Daiki, ISHII Yuki, KUDO Jun, HAYASHI Daichi: \"Trust and Books: Two Dialogues\"","description":"\u003cp\u003eJun Kudo, a Russian translator, invited psychiatrist Hiroki Abe and German intellectual history researcher Daichi Hayashi to hold a talk event at our store on August 23, 2025, titled \"What Happens 'Midway' in Book Production - Inside the Minds of Writers and Translators.\" What do translators, writers, and editors think about \"midway\" through their work? How do ideas become books?\u003cbr\u003eThis book records the conversations that took place, reflecting on the act of translation, the format of books, and the culture of self-published works, as well as what it means to be involved with \"books\" in this era, together with the participants. Furthermore, it includes \"Reading Distant Words,\" an event held on November 2 of the same year, hosted by Nikara bookstore in Sado City, Niigata Prefecture, where Kudo, Abe, and Yuki Ishii, who co-translated Andrey Platonov's \"Chevengur\" with Kudo, discussed translation, publishing, and literature.\u003cbr\u003e\u003cbr\u003eThis collection of practical experiences and conversations provides hints and encouragement to those who continue to aspire to and experiment with reading, writing, and publishing in an era where the situation surrounding publishing and literature is undergoing significant changes. It comes in an envelope, is limited to 100 copies, and has a unique batch number. Published by Jun Kudo's self-publishing circle, \"Yumemiru Kenri.\"\u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eSpeakers\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eHiroki Abe, Yuki Ishii, Jun Kudo, Daichi Hayashi\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 47.8906px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 47.8906px; text-align: center;\"\u003e\n\n\u003cp\u003eYumemiru Kenri\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003e\n\n\u003cp\u003eA6 (bunkoban size) \/ 56 pages \/ In envelope \/ Limited to 100 copies\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51812506108216,"sku":null,"price":1100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/twodialogue-1.jpg?v=1773288722"},{"product_id":"sadakofujiwara_ikiru","title":"Sadako Fujiwara: \"What the screening of 'Ikireu' in Zushi taught me\"","description":"\u003cp\u003eThe 80-year-old author, who dedicated her entire career to teaching from university graduation to retirement, was deeply moved by the film \"Ikuru: The People Who Fought the Okawa Elementary School Tsunami Lawsuit.\" This led her to organize a screening herself, filling a hall with over 500 seats.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe author had no prior experience organizing film screenings. She was extremely analog, completely unskilled with digital devices like computers and smartphones. Her only conceivable method of promotion was word-of-mouth. Yet, with a strong desire to share this film with many people, she began her efforts. Her passion spread to those around her, attracting various collaborators, and leading to an outcome nobody anticipated. At the root of her seemingly reckless actions were the painful memories of a school accident she experienced in her youth, the continued presence of former students with whom she still had a connection, and especially a strong feeling for one particular student.\u003cbr\u003e\u003cbr\u003eThis two-volume set includes the main text, which chronicles her activities over approximately two years before and after the screening, and a separate volume containing comments from collaborators and audience questionnaires. In this milestone year, 15 years since the Great East Japan Earthquake, this work re-examines the significant event from the perspective of a former teacher. Structured to allow the voices of various people to resonate multiply, it offers content suitable for reflecting on the past 15 years.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eSadako Fujiwara\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003e\n\n\u003cp\u003e[Main Volume] B6 size \/ 112 pages\u003cbr\u003e[Separate Volume] B6 size \/ 28 pages\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51840405569848,"sku":null,"price":1500.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-3-7.jpg?v=1772174186"},{"product_id":"sketching_scenes2025","title":"Yusuke Norishiro \/ Okayama Tabifude-kai \"Compiling Landscapes 2025: Sketch Essay Workshop Collection\"","description":"\u003cp\u003e\u003cem\u003e“How this book will be read is as unpredictable as how a landscape will be viewed; I have no idea right now. But I imagine that as I continue this act of carving tree rings within the same landscape, it will gradually become clearer. It might be something important, something obvious, or something disappointing, but for now, anything is fine. I really love continuing to do something with such a faint hope that it will be forgotten as I move my pencil.” — Yusuke Norishiro\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the second collection of landscape sketches, born from a workshop titled \"Writing Landscapes with Shaseibun\" led by novelist Yusuke Norishiro in Okayama City. Norishiro, who has accumulated approximately 300 written landscape sketches over seven years (\"sitting quietly for twenty or thirty minutes, gazing at the landscape in front of me and writing\"), curated this collection. The first half features texts selected by the instructor as noteworthy from the landscape sketches written during the three workshops, along with the instructor's comments. The second half includes landscape sketches written by each participant in various locations outside the workshops. This third workshop saw the participation of established writers such as novelist Shizuka Hori, poet Yuko Takenaka, and essayist Kani no Oyako, whose texts are also included. From the changes that emerge by simply gazing at and writing about a landscape, to new encounters with landscapes through writing and reading.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eYusuke Norishiro \/ Okayama Tabi Fude-kai\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 47.8906px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 47.8906px; text-align: center;\"\u003eOkayama Tabi Fude-kai (Volunteer Participants of the Workshop)\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003eB6 size \/ Softcover \/ 200 pages\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51856220979512,"sku":null,"price":1100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-7-5.jpg?v=1776846411"},{"product_id":"boro_issue1","title":"Used book doujinshi \"BORO\" inaugural issue","description":"\u003cp\u003eTwenty-five years after the launch of the legendary zine \"sumus,\" a new zine about used books, created by a younger generation, is making its debut. It was born from the desire to \"let young people know the joy and depth of used books, even if only a little, and to ensure that the culture of used books continues uninterrupted.\" The inaugural issue's special feature is \"zines.\" Leading the issue is an interview with Toshio Kimuro, author of \"Yama no Kumo\" and \"Mado no Bihu\" (Mizunowa Publishing), which discussed the poetry magazines and poets of Kobe Modernism, and was the trigger for editor Daichi Hayashi's zine collection. The issue also includes essays and discussions on \"Kobe Dada poet\" Sankuro Ukegawa, \"Dotonbori's almost forgotten corner poet\" Toshio Ito, and zines related to Masuji Ibuse and Kobo Abe, among others. There are also pages unique to a zine focused on used books, such as a report on the results of the Chionji Temple Autumn Used Book Festival in Kyoto. It is in full color with many photographs. The design work, reminiscent of Russian Avant-garde, is also distinctive, making this a truly weighty inaugural issue.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eEditor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eDaichi Hayashi\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eDesign\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eKaren Tatsumi\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 47.8906px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 47.8906px; text-align: center;\"\u003eDaichi Hayashi, Karen Tatsumi\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003eA5 \/ Full color \/ 100 pages\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":51882371318072,"sku":null,"price":1430.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/boro-2.jpg?v=1773290403"},{"product_id":"ど本","title":"The book","description":"\u003cp\u003eA zine by the members of \"Yoru Kissa Dobon,\" a bar operating once a month out of a rented space in a bar in Kiyamachi, Kyoto. The members include QLITA (knitting artist), Shunya Komada (novelist), Chihiro Oka (design), and Yoshiki Ukai (monk). This issue features poems and essays related to \"holes,\" including a 20-page short story \"Ana Yawana\" by Shunya Komada, author of \"Tori no Yume no Baai,\" which was a nominee for the 173rd Akutagawa Prize and winner of the 68th Gunzo New Writers' Award. The handmade thread-bound binding is striking with its yellow thread on a blue background. Why not open this book during your cafe time and ponder about holes?\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eShunya Komada, Yoshiki Ukai, Chihiro Oka\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eDesign \/ Binding\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eChihiro Oka \/ QLITA\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eYoru Kissa Dobon\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003eBunko size \/ 40 pages \/ Thread-bound handmade book\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52215897260344,"sku":null,"price":1100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-4-7.jpg?v=1776321320"},{"product_id":"マリヲ-タクシーの黒は夜の黒","title":"Mario: \"The black of a taxi is the black of night.\"","description":"\u003cp\u003eA self-published collection of essays by Mario, author of the autobiographical work \"Yo no Hito\" (Hyakunen Shobo), which was praised by Kazushi Hosaka and Yasuo Machida. From the perspective of a taxi driver cruising through the night in Osaka, Mario describes one-time encounters with people who, though minor, sometimes leave a strong impression, and his feelings of awe and something akin to prayer for the inscrutable workings of the world, all in his unique writing style. The cool and surreal cover design, featuring an unconventional visual image for a literary zine, was done by Fujimura Family.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor\/Publisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eMario\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eCover Design\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eFujimura Family\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003e127mm × 182mm \/ 128 pages \/ perfect bound\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52217994707256,"sku":null,"price":1300.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-5-7.jpg?v=1776326512"},{"product_id":"architecture_in_socialmovement","title":"TOMINAGA Kyoko, \"Discovering the Architecture of Social Movements\"","description":"\u003cp\u003e\u003cem\u003e\"If a church is a social movement, so is a self-governing dorm. If a soup kitchen is architecture, so is a demonstration. This expansion of the definitions of phenomena I had learned until now was a fortunate intellectual expansion for me as a researcher who has discussed social movements.\" (From the \"Introduction\")\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis ZINE records \"social movement architecture,\" observing social movements from an architectural perspective, by a sociologist specializing in social movement theory and known for works such as \"Minna no 'Wagamama' Nyumon\" (Everyone's Guide to 'Selfishness' - Sasakusha) and \"Naze Shakai wa Kawarunoka Hajimete no Shakai Undo-ron\" (Why Does Society Change? An Introduction to Social Movement Theory - Kodansha). It covers safe houses, community spaces, university self-governing dormitories, architectural schools, labor union halls, religious organizations' worship and meeting facilities, public multi-purpose facilities, DIY innovations seen at demonstrations in Europe during overseas research, as well as alternative spaces and social centers. It highlights the inseparable connection between social movements and space\/architecture, evident in spaces that can be called social movements and phenomena that can be called architecture, and the possibilities discovered by discussing them together.\u003cbr\u003eThe sketchbook-like composition, interspersed with illustrations, suggests that this endeavor was a learning and enjoyable experience for the author herself, with Kazuya Ura's \"Tabi wa Guest Room\" and Kappa Senoo's \"Kappa ga Nozokiita\" series also in mind.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 134.773px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 29.8906px;\"\u003eAuthor\/Publisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 29.8906px; text-align: center;\"\u003eKyoko Tominaga\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 50px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 56.9922px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 56.9922px; text-align: center;\"\u003e182mm × 254mm \/ 26 pages \/ Saddle-stitched booklet\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52223990464824,"sku":null,"price":800.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-1-21.jpg?v=1776409550"},{"product_id":"仔鹿-紫都香-クラブ-キッチンドランカーの本","title":"Kojika Shizuka: Club Kitchen Drunker's Book","description":"","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52245060092216,"sku":null,"price":880.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-8-4.jpg?v=1776843819"},{"product_id":"van-鴨chill-sk8ers-comic-strips-vol-2","title":"VAN『Kamo Chill Skaters Comic Strips Vol. 2』","description":"\u003cp\u003eA four-panel comic that depicts the daily lives of skate kids with a slightly philosophical touch.\u003cbr\u003eSince its start in January 2020, this four-panel comic has been continuously drawn every day without a single break, and has already surpassed 2000 episodes. This work features approximately 200 carefully selected episodes drawn between 2024 and 2025.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ctable style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eVAN'\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublished by\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003ea boy from the future\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eBunko size \/ 192 pages \/ Perfect bound\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52250459275576,"sku":null,"price":2800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-9-3.jpg?v=1776929423"},{"product_id":"sauntering_at_ease","title":"Shuhei Yoshihisa, \"Traces of a Stroll\"","description":"\u003cp\u003e\u003cem\u003eRepeating, iterating, lingering, growing weary—I believe this is what makes up our work and our lives. (From the Afterword)\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eThis book is a collection of travel essays about Paris and Rome, written by Shuhei Yoshihisa, the third-generation master of \"Downbeat,\" a long-established jazz café in Yokohama, who daily selects records and stands at the counter. It also includes a dialogue introducing five of his favorite books. The journey begins when he reunites with a traveler from France at a jazz spot in Kyoto and promises to meet again in Paris. It traces an itinerary guided by music and literature, from the southern part of Paris, the setting for Agnès Varda's *Daguerreotypes*, and live houses in the northernmost part of the city, to Lyon, depicted in Kafu's short stories, Assisi, visited under the guidance of Weil, and Villa Adriana, where he rediscovers the words of Emperor Hadrian written by Yourcenar. The latter half of the dialogue, where he discusses his love for novels by Mieko Kawakami and Mariko Asabuki, in addition to Weil, Kafu, and Yourcenar, reveals not only the charm of each work but also Yoshihisa's literary and life views concerning \"existence\" and \"others.\"\u003cbr\u003eJazz, reading, cafés, cities, and travel. Repetition, fleeting peace. While the narrative style is light, the book conveys the richness of reading books, traveling, and contemplating.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003ctable style=\"font-family: -apple-system, BlinkMacMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\" height=\"79\" width=\"100%\"\u003e\u003ctbody\u003e\n\u003ctr style=\"height: 20px;\"\u003e\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eYoshihisa Shuhei\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 20px;\"\u003e\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePlanning \u0026amp; Production\u003c\/td\u003e\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eWada Takumi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 20px;\"\u003e\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditor\u003c\/td\u003e\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eSakazaki Mayu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eBook Design\u003c\/td\u003e\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eIdeta Shozo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e104mm × 142mm \/ 166 pages\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52346671628600,"sku":null,"price":1500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/sauntering_at_ease-01.jpg?v=1783657880"},{"product_id":"jodo-journal-7-2026-spring","title":"[Bonus Content] Jodo Journal 7 [2026 SPRING]","description":"\u003cp\u003eThe seventh issue of \"Jodo Journal,\" an arts magazine where art and writing intersect, originating from Kyoto.\u003c\/p\u003e\n\u003cp\u003eThis issue features a complete recording of the symposium \"Artistic Production and Rhythm\" (Masaya Chiba, Gosuke Ikeda, Enrico Isamu Oyama, Michiko Tsuda, Futoshi Hoshino), which discusses the relationship between creation and rhythm, spanning generative AI, painting, street art, video, and installations. Graham Harman's \"Art Without Relations,\" from the philosopher advocating Object-Oriented Ontology, proposes art as an object that cannot be reduced to open relationships.\u003c\/p\u003e\n\u003cp\u003eThe lecture series \"Practices of Writing\" includes multifaceted discussions such as the problem of travel and alterity (Kazuhisa Toba), the intersection of art historical research methods and critical stances (Hiromi Matsui), and the connection between ongoing religious revival in America and art culture (Tamiji Yanagisawa).\u003c\/p\u003e\n\u003cp\u003e*First-come, first-served bonus: a special booklet and sticker from Jodo Complex's video project \"Unraveling the Collection.\"\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e[Table of Contents]\u003cbr\u003e \u003cbr\u003eFeature: Rhythm and Object\u003c\/p\u003e\n\u003cp\u003eArtistic Production and Rhythm—Starting from Masaya Chiba's \"Philosophy of Sense\"\u003cbr\u003eMasaya Chiba, Gosuke Ikeda, Enrico Isamu Oyama, Michiko Tsuda Moderator: Futoshi Hoshino\u003c\/p\u003e\n\u003cp\u003eArt Without Relations Translated by Motoaki Iimori\u003cbr\u003eGraham Harman\u003c\/p\u003e\n\u003cp\u003eTranslator's Introduction Art is Becoming\u003cbr\u003e—On Harman's Object-Oriented Philosophy and Its Aesthetic Theory\u003cbr\u003eMotoaki Iimori\u003c\/p\u003e\n\u003cp\u003eCollection and Attention—Thinking Through Arendt\u003cbr\u003eMokudai Hyakuki × Gosuke Ikeda\u003c\/p\u003e\n\u003cp\u003e[Photo Essay] \u003cbr\u003eCats in Bern and Paul Klee\u003cbr\u003eqp\u003c\/p\u003e\n\u003cp\u003e[Lecture Series] Practices of Writing\u003c\/p\u003e\n\u003cp\u003eTraveling and Continuously Learning\u003cbr\u003eKazuhisa Toba\u003c\/p\u003e\n\u003cp\u003eThe Interstice of Art History and Criticism\u003cbr\u003eHiromi Matsui\u003c\/p\u003e\n\u003cp\u003eThe \"Age of Faith\" and Writing\u003cbr\u003eTamiji Yanagisawa\u003cbr\u003e(From publisher's website)\u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52432917332280,"sku":null,"price":1650.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-7-7.jpg?v=1779968654"},{"product_id":"zoukibayashi","title":"\"Zokubayashi\" Inaugural Issue","description":"\u003cp\u003eThe inaugural issue of \"Zōkibayashi,\" an anthology by the 7th graduating class of the Jōdo Complex Writing School, has been published!\u003c\/p\u003e\n\u003cp\u003eThis rich volume includes a special feature, \"Re-encountering the Body,\" which spans genres from art and literature to street performance, a mini-feature on \"Narashige Koide,\" as well as book and exhibition reviews.\u003c\/p\u003e\n\u003cp\u003e--\u003cbr\u003eTable of Contents\u003c\/p\u003e\n\u003cp\u003e[Special Feature] Re-encountering the Body: From the Creator's Touch to the Spectator's Body\u003cbr\u003eRoundtable Discussion: Tracing the Creator's Touch – A Look Back at Tomoki Yamauchi's Stone Arrangement Workshop\u003cbr\u003ePhilippe Petit – The Daydreams of a Tightrope Walker | Momoko Miyashita\u003cbr\u003eChie Aoki's Body Expression and Lacquer | Haruka Kinoshita\u003cbr\u003eAttempts to Be with the Body | Chihiro Kasahara\u003cbr\u003eA Study on \"Heta-Uma\" (Bad-Good) – Thoughts Through Yuichi Inoue | Ota.\u003cbr\u003eSound, Area, and Territory in Language – The Linguistic View of Rie Kudan's \"Shi o Kaku Uma\" | Komu Yoshida\u003cbr\u003eThe Floor as a Boundary – Reorganization of Objectivity in Takurō Tamayama's \"FLOOR\" | Toshifumi Harada\u003c\/p\u003e\n\u003cp\u003e[Book Review] A Genealogy of Manga Underpinned by Feminism\u003cbr\u003e— From \"Tennen Karakusa\" to \"Jā, Anta ga Tsukutte Miro yo\" | Shisoko Negiyama\u003c\/p\u003e\n\u003cp\u003e[Mini-Feature] Narashige Koide – Traces of Diverse Creations\u003cbr\u003eThe Three Main Lines of Realism and Fantasy – Narashige Koide's Self-Portraits | Kota Nakagawa\u003cbr\u003eNarashige Koide's 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izakaya counter.\u003c\/p\u003e\n\u003cp\u003eI believe this booklet will be a great companion when you can't sleep and have nothing to do, or when you're looking for something to enjoy with your drink.\u003c\/p\u003e\n\u003cp\u003eStories about a haiku teacher.\u003cbr\u003eRandom thoughts that unspool when your bank account runs dry.\u003cbr\u003eMemories of oiling the floors in high school.\u003cbr\u003eA friend's house that had become like a manga cafe.\u003c\/p\u003e\n\u003cp\u003eAnd so on—all seemingly trivial stories.\u003c\/p\u003e\n\u003cp\u003eBut are they really so trivial?\u003c\/p\u003e\n\u003cp\u003ePerhaps sometimes it's good to pause and reflect on them deeply.\u003c\/p\u003e\n\u003cp\u003eThere might be nothing profound, but isn't that perfectly fine? (From the publisher's website)\u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52494023360824,"sku":null,"price":880.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-5-12.jpg?v=1781189501"},{"product_id":"what_is_this","title":"How to make \"What is this?!\"","description":"\u003cp\u003eThis concept visual book serves as a guide for anyone to freely, imaginatively, and uniquely enjoy art, taking ownership of the art experience that has been separated into creation and appreciation.\u003cbr\u003eIt introduces 10 methodologies exemplified by the \"What's this?!\" moments created by renowned \"senpai\" (先輩, meaning先輩, literally \"senior\") such as Duchamp, Magritte, Genpei Akasegawa, Atsuko Tanaka, Saburo Murakami, and Chim↑Pom. These methods are simple and humorous, and anyone can start them immediately: \"Try something no one has done before,\" \"Repeat the same thing endlessly,\" \"Give it a mysterious name,\" \"Do something that might get you scolded,\" \"(Almost) do nothing,\" etc.\u003cbr\u003eTemporarily setting aside critical contexts and existing meanings or values, this book expresses the freedom and joy of seriously thinking, conceiving, and acting on seemingly frivolous things, using examples from art history in a simple and pop way that even children can understand. Both children and adults can take this book in hand and search for \"What's this?!\" seeds in their surroundings. It is also an excellent introduction to art that is learned while having fun. Bilingual in Japanese and English.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEdited by\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eTakuro Iwabuchi\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublished by\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eGeneral Incorporated Association Tanacho\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eB5 modified \/ 64 pages \/ Codex binding\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52631241326904,"sku":null,"price":1760.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/whatisthis-1.jpg?v=1783765387"},{"product_id":"柿内正午-人間関係の構造と手立て","title":"Kakiuchi Shogo, \"The Structure and Means of Human Relations\"","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLife doesn't operate on logic.\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eHowever, logic is important—\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn an era where the naked truth that the powerful are strong is increasingly prevalent, the tyranny of \"myself\" as a describable \"bundle of specificities\"—attributes and titles—seems to be sweeping away the simple, raw experience of the unique self, which cannot be fully described in words.\u003c\/p\u003e\n\u003cp\u003eThis book, by a rising \"person of life,\" freely \"poaches\" insights from philosophy, anthropology, and sociology, vividly depicting the \"structure\" of human relationships at every scale. How does a third-person \"norm\" emerge from the mutuality between two individuals? Understanding this structure, what \"measures\" can we take to unravel dysfunctional relationships and live our daily lives joyfully?\u003c\/p\u003e\n\u003cp\u003eThe author presents a practical framework for maintaining the domain of the unique self that enjoys an individual life without being swallowed by the social \"self\" in various human relationship scenarios—love, family, friendship, company, and society—through the continuous back-and-forth movement of solitary, self-paced training through reading and writing, and its adjustment through casual \"chatter.\"\u003c\/p\u003e\n\u003cp\u003eThis is a guide to navigating the path between being out of sync with others yet still together, neither self-righteous isolation nor naive conformity, and to \"falling with style.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52773090394424,"sku":null,"price":1200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-11-9.jpg?v=1786170606"},{"product_id":"kyoto_machichuka_rokujizou","title":"Kyoto Machichuka Club, Vol. 4: Kyoto Rokujizo Edition","description":"\u003cp\u003eIntroduction: Exploring Kyoto's Rokujizo with Local Chinese Restaurants\nMap: Kyoto Rokujizo \u0026amp; Local Chinese Restaurant Map\nHow to Visit Rokujizo\nKyoto's Jizo Bon Festival\nFushimi Jizo: Daizen-ji Temple\nRamen Seiryu: Live Coverage of Karaage Bento\n100 Points Before Even Eating: Seiryu's Omurice\nToba Jizo: Jozen-ji Temple\nJonanen: Live Coverage of Tenshin Fried Rice, Fried Chicken, Sweet and Sour Pork, Sweet and Sour Meatballs\nKatsura Jizo: Jizo-ji Temple\nToto: Live Coverage of Chuka Soba, Miso Chuka, Gyoza, Karaage\nTokiwa Jizo: Genko-ji Temple\nDairiki Shokudo: Live Coverage of Karaage Ramen, Chuka-don, Chuka Teishoku\nMemories of Hozankaku\nIntroduction of Kyoto Machichuka Club Members\nKuramaguchi Jizo: Jozen-ji Temple\nDaiyu-en: Live Coverage of Snacks, J.BOY Set, Ramen, Shrimp Tempura, Nira Reba Itame, Reimen\nYamashina Jizo: Tokurin-an Temple\nMinmin Kyoto Yamashina Store: Live Coverage of Minmin-style Steamed Chicken, Liver and Bean Sprout Stir-fry, Shrimp and Green Pepper Stir-fry, Egg and Wood Ear Mushroom Stir-fry, Jingisukan, Century Egg\nLocal Chinese Cinema: Makiguri no Ana, The Curse of Nira Reba\nTalking with a Kobe Chinese Man: Nira Reba Itame Edition\nPostscript\n(From publisher's website)\u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52774067405112,"sku":null,"price":968.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-19-5.jpg?v=1786185197"},{"product_id":"thinkingdeeplyaboutjapaninchina","title":"Kanako Yamamoto: \"Thinking Thoroughly About Japan from China\"","description":"\u003cp\u003e\u003cem\u003eEven though politics and art are separate, and the state and the individual are also separate, they still actively seek to invite art from a country that has acted in such an inconsistent manner. How, exactly, am I to take this?\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e*\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eIf, as I believe, Chinese is a language of dialogue, then I must experience spoken drama. Language and dialogue can be called the very philosophy of a country, and if so, watching a spoken drama should be a direct encounter with Chinese philosophy. (From the text)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAs the first installment in the \"Offshore Small Books\" series, we are publishing Kanako Yamamoto’s chronicle of her experiences at a theater festival in Foshan, Guangdong Province, China. She writes freely and extensively about what she saw and heard during her four days in China, and the thoughts that were sparked by those experiences.\u003c\/p\u003e\n\u003cp\u003eWhat was I doing, participating in an up-and-coming theater festival in China? In the end, I think it was \"thinking thoroughly about Japan.\"\u003c\/p\u003e\n\u003cp\u003eSpring 2026, when Japan-China relations had turned icy—a travel essay written over the course of about a month, with an eye on international news. (From the publisher's website)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52914435424568,"sku":null,"price":1760.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/book-91.jpg?v=1788676504"},{"product_id":"ayakosato_nitijyoukioku","title":"Ayako Sato, *Walking the \"Daily Memory Map\" of the Deceased*","description":"\u003cp\u003eIs it possible to trace landscapes that were never spoken of, and meet again with those who are no longer here?\u003c\/p\u003e\n\u003cp\u003e\"Everyday Memory Maps\" is a method for recalling the \"memory of a place\" by tracing the \"places\/roads one frequented\" on a map with a pen, and then conducting interviews or writing down thoughts about those locations and paths. The developer, Ayako Sato, has put this endeavor into practice through exhibitions and projects in various regions, collecting these \"memories of places\" in books and booklets. This new booklet, as the title suggests, focuses on walking through the \"Everyday Memory Maps\" of the deceased. It is a record of developer Sato tracing the landscapes by drawing and walking the \"Everyday Memory Maps\" of her own family—stories that had previously gone untold. From her grandmother's life in Anamizu on the Noto Peninsula, to her grandfather's in Fukagawa and Sendagaya, to her father's in Iwaki, Fukushima—relying on family registers, old maps, historical buildings, and self-made chronologies, she follows the past gaze directed at the scenery currently before her eyes.\u003c\/p\u003e\n\u003cp\u003eThrough over a decade of trial and error, she re-encounters unfamiliar lands and landscapes through the lives of the deceased. Standing before a landscape, she thinks of her family who were once truly there. Without relying solely on oral history or leaving it to one-sided imagination, this is a guidebook for \"sharing family landscapes\" that demonstrates—using maps and documents as a medium—that relationships can continue to change even after death, through a method accessible to anyone.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eWriting, Design, Publishing\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eAyako Sato\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eEditing\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eAtsushi Takeuchi\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eA5 landscape \/ 48 pages \/ Color\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":52938699079992,"sku":null,"price":1650.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/nitijyoukioku-3.jpg?v=1789105540"},{"product_id":"guidetokyotos_public_bathhouses","title":"Rakugaki Hitsuji \"Hitsuji's Kyoto Sento Guidebook 2025: Reheated Edition\"","description":"\u003cp\u003eThe 2025 \"reheated\" edition of the Kyoto Sento Guidebook by Chiaki Otake—a first-class architect and illustrator known as \"Rakugaki Hitsuji\" who tours bathhouses to draw their floor plans. Based on the 2025 edition, which selected eight Kyoto sento that have undergone closures, successions, or renovations in the decade since \"Hitsuji's Kyoto Sento Guidebook\" (Sogensha, 2016) and presented them in a before-and-after format, this revised edition adds further \"reheated\" updates, including the renovated \"Daikoku-yu\" and changes to operating hours and floor plans (as of September 2026).\u003cbr\u003eA record of Kyoto's sento culture—which shifts with the times, seeing both closures and new movements—this volume serves as both a collection that will one day be a valuable historical archive and a current guide to Kyoto's sento scene.\u003cbr\u003e\u003cbr\u003e〈Featured Sento〉Imomatsu Onsen, Miyako-yu, Minamoto-yu, Kamogawa-yu, Heian-yu, Tama-no-yu, Sauna no Umeyu, Daikoku-yu\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eAuthor\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eChiaki Otake\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePublisher\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eTegaki Zumen Kobo Madorizu\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eSpecs\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003e24 pages \/ Thread-stitched \/ Mimeograph-printed cover\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":53023841452344,"sku":null,"price":1100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/kyoto_sentouzukan-3.jpg?v=1790500853"},{"product_id":"note_kikamatsuda","title":"Matsuda Kika \"note\"","description":"\u003cp\u003eA collection of drawings by Kika Matsuda, a Kyoto-based artist who says, \"Since I was a child, my interest has been to draw the forms that catch my eye until I can capture the lines to my satisfaction.\" Using pencils and 0.3mm fine-point pens, her work ranges from abstract patterns to singular images that evoke individual stories. Her cross-sectional, side-view imagery and the movement of perspective that travels between the micro and macro seem to reveal another side of the same world. This book reproduces the drawings—composed of brilliant, precise, and dense lines created as part of her daily routine—along with the very notebooks she uses, right down to the thinness of the paper, produced by the Kyoto Risograph studio \"Hand Saw Press.\" It is an unpretentious artist's book that brings the reader as close as possible to the work she has continued to create day after day.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\" height=\"79\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; width: 76.5653%; height: 86px; margin-left: auto; margin-right: auto;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr style=\"height: 20px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eArtist\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 20px; text-align: center;\"\u003eKika Matsuda\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003ePrinting\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eHand Saw Press\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\n\u003ctd style=\"width: 25.5%; text-align: center; height: 20px;\"\u003eOther\u003c\/td\u003e\n\n\u003ctd style=\"width: 74%; height: 19.5938px; text-align: center;\"\u003eB5 \/ 60 pages \/ Color\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"余波舎 \/ NAGORO BOOKS","offers":[{"title":"Default Title","offer_id":53039488827704,"sku":null,"price":2200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/files\/kikamatsuda-13-3.jpg?v=1790475609"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0722\/6959\/4936\/collections\/sarusuberi.jpg?v=1790872735","url":"https:\/\/nagorobooks.com\/en\/collections\/zine-%e3%83%aa%e3%83%88%e3%83%ab%e3%83%97%e3%83%ac%e3%82%b9.oembed","provider":"余波舎 \/ NAGORO BOOKS","version":"1.0","type":"link"}